Lucille Bb King

Lucille Bb King

B.B. King Blues Club, a full service venue  gibson lucille bb king in the heart of Midtown, seats as many as 550 guests or accommodates up to 1,000 for cocktail receptions. Classical in form and spirit, the Music Room is an 11,000 square foot theatre with two tiered, horseshoe-shaped seating centered on a 30-foot stage, making even the largest event seem intimate. State of the art production Lucille Bb King and A/V, including a 30 foot stage and two 8-foot video screens on either side of it, further enhance your guests’ experience. See your event’s name in lights on our 42nd Street marquee!

For smaller events, Lucille’s Lucille Bb King is a haven in Times Square. The mahogany framed restaurant, decorated with colorful contemporary art and a bar featuring our signature saxophone beer taps. Its built-in video screen and stage are ideal for any small performances or meetings requiring A/V.

For larger events, both rooms can be used in conjunction with each other accommodating up to 1,300 guests of Lucille Bb King.Clients have the option to choose amongst a variety of menus. We can also create a personalized menu to fit any of your needs.

Why spend money on expensive Audio/Video Equipment & Production staff? At B.B.King Blues Club, you won’t have to. Our venue is equipped with the latest sound and video equipment, and we have a full service production staff that can handle the most extensive productions Lucille Bb King with ease. We are host National acts on a daily basis, therefore we take pride in our production capabilities.

Have a smaller, more intimate lucille bb king guitar group for a special occasion? Birthday party? Family in town for the holidays? Entertaining clients and want to impress them?

Let us create an evening for you. Whether its for one of our live performances in the main showroom, or an intimate private dinner in Lucille Bb King with your choice of entertainment.

With a full service, friendly & knowledgeable staff, we will create an experience your Lucille Bb King guests will long remember.

Lucille By BB King

lucille by bb king

Lucille is the fifteenth studio album by blues artist B. B. King. It is named for his famous succession of Gibson guitars, currently the Signature bb king gibson es 355.

Lucille By BB King fond of the simple musical equipment. He played guitars made by different manufacturers early in his career: he played a Fender Telecaster on most of his recordings with RPM Records (USA). However, he is best known for playing variants of the bb king gibson es 355. In 1980 Gibson Guitar Corporation launched the B.B. King Lucille model. In 2005 Gibson made a special run of 80 Gibson Lucilles, referred to as the “80th Birthday Lucille”, the first prototype of which was given as a birthday gift to King, and which he has been using ever since.

Lucille By BB King had been playing Gibsons for over 40 years when he and Gibson officially joined forces in 1982. B.B.’s personal touches on his signature model include the fine-tuner tailpiece, the semi-hollow body with no soundholes and, of course, the name that has adorned his guitars throughout his career Lucille.

There is something about the bb king gibson es 355,
Body: Laminated maple, Maple center block Neck/Profile
Fingerboard/Inlay: Ebony/Pearl block
Scale/Nut Width: 24 3/4″/1 11/16″
Binding: Multi-ply top and headstock , single-ply fingerboard and back
Bridge/Tailpiece: Tune-o-matic/TP-6
Hardware of Lucille By BB King: Gold
Pickups: 490R Alnico magnet humbucker, 490T Alnico magnet humbucker
Controls: Two volume, two tone, three-way switch, six-position Varitone, stereo/mono jacks
Finish of Lucille By BB King: Cherry, Ebony

And then, let’s appreciate the lucille by bb king,Lucille By BB King.






Gibson Lucille

gibson lucille

Everyone knows Gibson Lucille calls his Gibson Lucille guitars “Lucille.” The fact is, B.B. has had numerous Lucilles since he fell in love with his first one way back in 1949. And he’s played many other Gibsons that haven’t been blessed with “her” name.

B.B.’s first Gibson Lucille was a Gibson L-30. He rescued it from a nightclub fire in Twist, Arkansas, and named it after a woman in the club. King told, “One night, two guys started to fighting and one knocked down one of them containers [kerosene barrels, for heating the club] and it was already burning with kerosene and so when it spilled onto the floor, it looked like a river of fire and everybody started to run for the front door – including B.B. King.

“But when I got on the outside, I realized then that I had left my Gibson Lucille guitar on the inside. So I went back for it. The building was a wooden building and burning rapidly. It started to collapse around me and I almost lost my life trying to save my guitar. So the next morning, we found out that these two guys that were fighting were fighting about a lady that worked in the little dance hall. We learned that her name was Lucille. So I named the guitar Lucille to remind me to never do a thing like that again.”

And so the Gibson Lucille legend was born. King’s first Lucille was a Gibson L-30, a budget model. The L-30 was small-bodied, non-cutaway and with a flat back. The L-30 featured a simple trapeze tailpiece and pickguard, an adjustable bridge, single-binding (front and back) and dot fingerboard markers. Early examples were finished in black, but later L-30s had dark mahogany sides, back and neck, with a dark sunburst top. The model was discontinued in 1943.

As King’s career flourished, he got a fancier Gibson Lucille guitar. Launched in 1949, the ES-5 was then one of Gibson’s flashiest and sonically most versatile models – it had three P-90 pickups. King’s was the early version, without the complex switching of the 1955-60 updates. The ES-5 came in blonde and sunburst, but B.B.’s was a blonde, with a trio of volume pots and a black pickguard. The ES-5 was discontinued in 1960.

In 1951, King had his major hit Gibson Lucille with a cover of Lowell Fulson’s “Three O’Clock Blues.” By this time B.B. was playing a Gibson ES-125. With a single P-90 pickup and no cutaway it featured a bound top and back, tortoiseshell pickguard, single-bound top and back and dot neck inlays. “Three O’Clock Blues” was a slow-burning 12-bar that set the template for B.B.’s inimitable style. No video in 1951, of course, so here King is playing the hit song on a later “Lucille”…

b.b. king lucille

b.b. king lucille

“Spanish tuning is: V-I-V-I-III-V, which equates to D-G-D-G-B-D in the key of G, or: E-A-E-A-C#-E in the key of A. Simply put, when you strum the guitar without fretting, it’s playing a chord. Another Johnny favorite is the Vestapol tuning, which is: I-V-I-III-V-I, which equates to D-A-D-F#-A-D in the key of D, or: E-B-E-G#-B-E in the key of E. Some fine examples of these b.b. king lucille tunings in action can be heard on “Dallas” (open G), “Mean Town Blues” (open A), “Highway 61” from “Second Winter, “Mojo Boogie”, “Stranger Blues” (open D), or the red hot version of “Highway 61” from “Captured Live”, or “Let It Bleed” (open E). These are a lot of fun, and I encourage all guitar players to give them a try.”

When B.B. King made his first b.b. king lucille recordings for Sam Phillips’ Memphis Recording Services, King was initially known as a talented vocalist and in fact didn’t always play lead guitar on his early records. But that would all change by the mid ‘50s as King and his guitar, nicknamed Lucille, became the b.b. king lucille voice of the blues. With hits like “Rock Me Baby,” “Sweet Little Angel,” “Sweet Sixteen,” and “The Thrill Is Gone,” King put the blues on the Top 40 charts, made himself and Lucille household names, became the first blues artist signed to a major label, and with his singular vocal and guitar style, was an inspiration to a mighty generation of blues and rock artists including Otis Rush, Albert King, Buddy Guy, Michael Bloomfield, Duane Allman, and Magic Sam.

King’s singular b.b. king lucille tone has everything you’d want to hear in electric blues guitar—a belllike ring with a hint of overdrive, soaring highs and gritty lows, and all driven home by King’s mighty left hand tremolo. The Epiphone B. B. King Lucille was designed by B. B. King himself and puts all the tone and nuance of King’s own favorite guitar in your hands.

As with all Epiphones, Lucille comes with our Limited Lifetime Guarantee and 24/7/365 b.b. king lucille Customer Service. Get the thrill and play the Epiphone B.B.King Lucille today at your Authorized Epiphone Dealer.B.B. King had been playing Gibsons for over 40 years when he and Gibson officially joined forces in 1982. B.B.’s personal touches on his signature model include the fine-tuner tailpiece, the semi-hollow body with no soundholes and, of course, the name that has adorned his guitars throughout his career Lucille.

Body: Laminated maple, Maple center block Neck/Profile/Fingerboard/Inlay: Ebony/Pearl block/Scale/Nut Width: 24 3/4″/1 11/16″/Binding: Multi-ply top and headstock , single-ply fingerboard b.b. king lucille and back/Bridge/Tailpiece: Tune-o-matic/TP6/Hardware: Gold/Pickups: 490R Alnico magnet humbucker, 490T Alnico magnet humbucker/Controls: Two volume, two tone, three-way switch, six position Varitone, stereo/mono jacks

Gibson Lucille Guitar


gibson lucille guitar

First of all, let’s to be in the story of Gibson Lucille Guitar:
In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, and the building was evacuated. Once outside, King realized that he had left his guitar inside so he went back into the burning building to retrieve his beloved $30 lucille guitar bb king. Two men died in the fire, and King learned the next day that they had been fighting over a woman named Lucille. King subsequently named that first Gibson Lucille Guitar, as well as every guitar he has owned since, as a reminder never again to do something as stupid as run into a burning building or fight over women.
B.B. King wrote a song called “Lucille” in which he talks about his guitar and how it got its name. The song was first released as part of Lucille and is included on the B. B. King Anthology 1962–1998 album.

Gibson Lucille Guitar is the second period of Lucilles through King’s career. In 1980, Gibson Guitar Corporation launched the B. B. King Lucille model.The most noticeable differences between the Lucille and the Gibson ES-355TD-SV on which it is based are the “Lucille” script on the headstock of lucille guitar bb king, the maple neck, and the lack of F-holes on the top. The top has no F-holes at B. B. King’s request to reduce feedback.

The Gibson Lucille Guitar Standard model was made from 1980 to 1985. This model had chrome hardware and dot inlays instead of block inlays.
The Gibson subsidiary Epiphone also offers a low-cost, foreign made Lucille model based on the Gibson Lucille. Differences include a variation on the headstock inlays, a gloss finish and different pickups.
The ultimate refinement of B.B. King’s original ES-345.
Own the Gibson B.B. King Lucille Electric Guitar and you’ll own one of the smoothest, sweetest blues axes out there. The guitar features a laminated maple top for total sustain, a solid maple center block, special laminated maple neck and Richlite fingerboard. Stereo/mono jacks require no special cords; TP-6 tailpiece allows precise tuning. Also includes the name “Lucille” scripted in mother-of-pearl on the headstock and gold-plated hardware. Includes Gibson hardshell case.

There are the features about the Gibson Lucille guitar,
Laminated maple top and neck
Solid maple center block
Gibson hardshell case
Richlite fingerboard
Stereo/mono jacks
Gold hardware
TP-6 tailpiece