Category Archives: gibson lucille

B.B. King Signature Electric Guitar Strings



B.B. King Signature Electric Guitar Strings

The gibson bb king lucille electric guitar is the bbKing’s legendary. The gibson bb king strings is equally significant as well. B. B. plays with a style that matches his intensity, and every note he plays has something vitally important to say. This unique gibson bb king strings set is B.B.’s own special gauge, meant to give your guitar a firm, yet extremely playable feel. The pure nickel wrap yields exceptional tone, from the lows all the way to the highs. The premium Swedish steel “hex” core means your guitar tunes up fast and stays in tune longer.

Someone comment the gibson blues king guitar, “This s a great guitar. Just purchased on 6/13. You can’t really compare this guitar to other brands and should test it out often. The lucille is based on a es-345,355. There are some variations that give it BB’s own take, like the maple neck and lack of f holes. I think the veritone switch is a killer addition and allows for very good clean sounds. You will not notice a great deal of difference on the veritone switch between the middle and neck pickup switches, but there are subtle differences. As with any nitro finished gibson, expect the headstock to “peel” with the inlays, and show typical gibson wear, along the fretboard edges and joints. Also, do not place a gibson nitro finish on a cheap stand or hanger with rubber, it will effect the finish of the nitro. After 20 years of playing and trying every guitar out there I would suggest this guitar to anyone looking for clean tones. I bought this one over a PRS and a Heritage. The Gibson humbuckers dirty up just fine, too. Great guitar, great neck (perfect size), typical Gibson build quality (good or bad), very easy set ups and low action, could use locking tuners, and an over great guitar.”

Therefore, you could learn that all gibson bb king strings from Gibson feature a distinctive silk wrap at the ball end that helps eliminate any undue wear and harmonics. Whether you play blues, rock, jazz, or country, you won’t find better strings for your musical needs.





Gibson BB King Lucille Limited

gibson bb king lucille limited
The gibson blues Gibson BB King Lucille Limited guitar is blues royalty. The guitarist is playing the blues before most of us knew what a guitar was. For many of his early years, he played an gibson es 355 lucille before moving on to a gibson es 355 lucille. Said King in The Electric Guitar – An Illustrated Guide, “I knew I liked the gibson es 355 lucille from the first time I played one…the neck was so thin and the body was so shallow so it was comfortable to play.” Eventually, King named his favorite guitar, Lucille. And eventually, the man hooked up with Gibson to create the B. B. King Signature Edition, not surprisingly named “Lucille.” Special touches include a fine tuner tailpiece, a semi-hollowbody design with no f-holes, multi-ply binding and Varitone circuitry. Hey, if you’ve ever heard this man play live, you know just how sweet or saucy he can make his guitar sing. The Gibson Lucille model is just like B. B.’s!

The gibson blues king guitar here:
Semi-hollowbody design with maple / poplar / maple top, back and sides in Ebony finish with multi-ply binding.
Rounded ’59 profile maple neck with Richlite fingerboard and real pearl block inlays
Two Alnico magnet humbuckers – 490R (neck) and 490T (bridge)

When Gibson BB King Lucille Limited was playing gibson es 355s lucille and 3555s, he used to stuff the f-holes B.b. King Gibson to eliminate feedback. So when it came time to design his own dream guitar, his first request was to get rid of those f-holes, which Gibson was happy to do.

Another touch is the special fine-tuner tailpiece. Gibson has had a few similar tailpieces through the years, but this one is the best of the lot. Finally, bb King decided he wanted to keep the six-position Varitone rotary switch, which essentially rolls off highs of Gibson BB King Lucille Limited in a quite different way than by using the standard tone control. Add an Ebony finish and you’ve got the King’s guitar!

We’re not talking about the latest B.b. King Gibson fad diet, we’re talking about Lucille’s special rounded neck profile. It’s not as big as those huge 1958 Les Paul necks, but neither is it as thin as the 1960s so-called “slim taper” neck profiles. In any case, the combination of a nice, rounded 3-piece maple neck and a Richlite fingerboard with pearl block Gibson BB King Lucille Limited inlays is what this instrument is all about. It’s not for everyone, of course. But if you picture yourself as the next blues legend, take a tip from the King and get “Lucille.” She won’t let you down.  

When you’re talking about “tone for days,” you’re talking about humbuckers. They’ve got it all: Complex midrange, punchy lows and a smooth top end that won’t make your teeth hurt. For those seeking the often overused “out-of-phase” session sound which ruled the airwaves back in the 1980s, this is not the guitar you’re looking for. If you’re looking for a pickup of Gibson BB King Lucille Limited  that starts out clean and can really smoke when your amp is on 11, well then, so trap one on!




Gibson Little Lucille For Sale

The Gibson Little Lucille For Sale is a relatively recently designed (1996-2006) Gibson model designed mainly for blues players. It superficially resembles the Les Paul in that the body outline is similar. The little lucille gibson was discontinued by Gibson in 2006. The Little Lucille is a diverse on the Blueshawk that features a stop tailpiece and tune-o-matic bridge. The Little Lucille was endorsed by BB King.

In 1999, Gibson Little Lucille For Sale launched the Little Lucille, a version of their Blueshawk guitar. It differed from the Blueshawk in having a Tune-o-matic bridge and a TP-6 stop tailpiece.

The model is no longer found among Gibson USA’s current product listing, and the Blueshawk on which it was based has been discontinued.

About the construction of the little lucille gibson, it has a number of distinctive features that distinguish it from virtually all other Gibsons. The Little Lucille’s body outline is the same as a slightly earlier range of guitars – the Nighthawks (1993-1999) – but unlike the Nighthawks, the Little Lucille is a semi-hollow bodied guitar with twin f-holes and a flat (uncarved) top.

In addition, Gibson Little Lucille For Sale made some distinctive and innovative features, include:
25.5 inch scale length (the same as many Fenders, Gibson’s more typically have a 24.75 inch scale length)
Blues 90 pickups of Gibson Little Lucille For Sale (a modified version of the P-90 pickup)
noise reduction circuitry which employs a dummy coil
a Varitone circuit (similar to that used on the Gibson ES345) – the Varitone circuit is a mid-cut/band-stop filter with a choice of five center frequencies
a light guitar – the body of Gibson Little Lucille For Sale is made from poplar, capped with maple – the body is small and relatively thin and has two cavities
simple control set – master volume, master tone, three-way pickup selector, six-way rotary Varitone control switch.


Gibson Lucille Red

gibson lucille red

The Gibson Lucille Red series is a magic. The lucille guitar bb king es 335 black is the basics. The gibson lucille red is the ES-345. It drops dead gorgeous! The gibson lucille red was first produced in 1958 as upscale version of ES-335. Although the design is very similar to the 335, the gibson lucille red featured a multi-position “Varitone” switch located just above the lead tone and volume controls, which added various combinations of inductors and capacitors to the electronic pickup circuit of the guitar in order to alter its resonant frequency and add “color” to the sound. The gibson lucille red also featured an optional stereophonic output jack, gold-plated hardware, large split parallelogram fingerboard inlays (similar to ES 175), and a thicker three-ply edge binding than that of the ES-335. Notable users were Freddie King, John McLaughlin, Jorma Kaukonen, Fred Frith and Elvin Bishop.

It was discontinued in 1981, one year after the Gibson Lucille Red was launched. As of 2012, the ES-345 is available as limited edition of Epiphone, as well as the ES-355. The differences between two models are:
The headstock of Gibson Lucille Red inlay on the gibson lucille red is a “small crown”, instead of a “split-diamond” custom inlay on the ES-355.
The position markers on gibson lucille red are “double parallelogram”, instead of the “block” inlays on the ES-355. Also, the first fret on the gibson lucille red is not inlaid.

The stereo output wiring and the Varitone was factory-installed on the gibson lucille red and ES-355TD-SV, but not on the unmodified ES-355TD (mono version).
The vibrato unit (Vibrola or Bigsby) was an option on the gibson lucille red; In contrast, it was factory-installed on most Gibson Lucille Red (except for the earlier models in the 1950s, final models after 1979,and Lucille).

The variations  Gibson Lucille Red of he gibson bb king lucille guitar review is worth noticing.
The ES-345 was first produced in 1958 as upscale version of ES-335.
The ES-355TD (Thinline semi-hollow, Double pickups) was at the top of Gibson’s range of thinline semi-acoustic guitars.
The EB-2 was first produced in 1958 as the bass version of the ES-335. Having the same body as the ES-335, it held a 30.5″ scale neck and hardware borrowed directly from the Gibson EB-0.

The CS-336 is a smaller version of the gibson bb king lucille guitar review. The back and sides of this guitar are constructed from a single piece of carved mahogany, and its reduced size is closer to that of the Les Paul.
And Other models based on the 335 include the ES-333, the ES-340 (the toggle switch has settings of the pickups in-phase, pickups out-of-phase and standby), the ES-347 (includes a coil tap, block markers on an ebony fretboard, fine tuning tailpiece and, on earlier models, a brass nut), the ES-339, essentially a 335 with the body reduced to Les Paul size; and the Gibson Les Paul signature bass.

Although the ES-330 resembles the 335, it is actually fully hollow (as opposed to semi-hollow) and features two P-90 pickups (as opposed to 2 humbucking pickups), and was designed as the successor of the Gibson ES-225.


Bb King My Lucille

Bb King My Lucille

I used to play a place in Twist, Arkansas. Still there, Twist, Arkansas. They used to have a little nightclub there that we played quite often. It used to get quite cold in Twist. They used to take something looked like a big Bb King My Lucille garbage pail and set it in the middle of the floor, half fill it with kerosene, and would light that fuel and that’s what we used for heat. Generally, the people would dance around it and they wouldn’t disturb this container. This particular night, two guys started to fighting and one of ‘em knocked the other one over on this container. When they did, it spilled on the floor.

Now it was already burning, so when it spilled, it looked like a river of fire. Everybody ran for the front door including yours Gibson Bb King Lucille Sale truly. But when I got on the outside, then I realized that I’d left my guitar inside. I went back for it. The building was a wooden building and it was burning so fast when I got my guitar, it started to collapse around me. So I almost lost my life trying to save the guitar. Well the next morning we found Bb King My Lucille that these two guys was fighting about a lady. I never did meet the lady, I never did meet the lady, but I learned that her name was Lucille so I named my guitar Lucille to remind me not to do a thing like that again .

From the cotton fields, street corners and juke joints of the Mississippi Delta came a new kind of music – the blues. Considered by many to be the only truly indigenous American Bb King My Lucille music, this form that has influenced musicians worldwide is deeply rooted in Delta soil. And so is the man who helped spread the blues as its foremost ambassador… Riley B.B. King.Blues legend B.B. King was forced to cancel the remainder of his current tour after falling ill following a October 3 show at Chicago’s House of Blues.

The 89-year-old Rock Gibson Bb King Lucille Sale and Roll Hall of Famer had eight gigs left on his current trek, including stops at his namesake B.B. King Blues Club in New York.”[King] was immediately evaluated by a doctor and diagnosed with dehydration and suffering from exhaustion whereby causing the eight remaining shows of his current tour to be canceled,” King’s official site posted. No other details about King’s  Bb King My Lucille condition were revealed.

As EW’s The Music Mix points out, King gave a shaky performance in St. Louis in April 2014, with the concert being so erratic that the blues great’s reps issued a statement apologizing Bb King My Lucille ,following the gig.

Youtube Bb King Lucille

youtube bb king lucille

Through Youtube Bb King Lucille  all, King has toured as prolifically as any performer in history. The road has been him home since the mid-Fifties. He reportedly performed 342 shows one year, and he’d average more than 200 shows annually even into his seventies. Each June he sets aside a few weeks for himself, going back to Indianola for what he calls “the Mississippi Homecoming.”

At the start of his Youtube Bb King Lucille career, King’s reach didn’t extend beyond the network of clubs and juke joints known as the chitlin’ circuit. Somewhat prophetically he noted, “We don’t play for white people…. I’m not saying we won’t play for whites, because I don’t know what the future holds. Records are funny. You aim them for the colored market, then suddenly the white folks like them, then wham, you’ve got whites at your dances.”

Sure enough, in the mid-Sixties, King’s hard work, musical genius, affable persona and revered stature among rock icons broadened his base of support to include a new audience of white listeners who tuned into the blues and stuck with King for the long haul. King came to the attention of yet another generation of younger listeners when he recorded “When Love Comes to Town” in 1988 with U2 for their Rattle and Hum album and movie.

“B.B. King’s achievement has been to take the primordial music he heard as a kid, mix and match it with a bewildering variety of other musics, and bring it all into the digital age,” Colin Escott wrote Youtube Bb King Lucille in his essay for the King of the Blues box set. “There will probably never be another musical journey comparable to [King’s].”

The final word belongs to Youtube Bb King Lucille himself, testifying on the healing quality of the genre he embodies. “I’m trying to get people to see that we are our brother’s keeper,” King has said. “Red, white, black, brown or yellow, rich or poor, we all have the blues.”

Body Binding of Youtube Bb King Lucille: Multi-ply binding on top and back
Neck Species: 3-piece Maple
Fingerboard Species: Ebony
Scale Length: 24-3/4 in.
Number of Frets: 22
Nut Width: 1-11/16 in.
Inlays: Pearl block
Fingerboard and Headstock Binding: Single-ply
Hardware Plating Finish: Gold
Tailpiece: TP-6
Bridge: Nashville Tune-O-Matic
Tuners: Metal tulip
Pickups of  Youtube Bb King Lucille: 490R and 490T humbuckers
Controls: 2 volume, 2 tone, 3-way switch, Vari-tone switch, stereo and mono jacks
Strings: B.B. King Signature
Case: Black levant

Gibson BB King Lucille For Sale



Guitar itself is a magic musical instrument, and the guitarist also are the equally mysterious and amazing ones. Each guitarist tells different but fascinating life style, and each guitar has its origin and story. The bb king gibson guitar also is a story.

Before 1952 Gibson produced only hollow-body guitars, which are prone to feedback when amplified loudly. That year saw the introduction of their first solid-body, the Gibson Les Paul, a significantly different instrument from Les Paul’s early electric guitar experiment, “The Log”, which consists of a center block with detachable chambers on the both side, a neck, hardware, and pickup attached. By 1958 Gibson was making a few solid-body of Gibson BB King Lucille For Sale models which had much lower feedback and better sustain but lacked the darker, warmer tone and unamplified volume of hollow bodies. The ES-335 was an attempt to find a middle ground: a warmer tone than a solid body with almost as little feedback. Though semi-hollow-bodies like the ES-335 are essentially a compromise of earlier designs, they are for this reason extremely flexible, as evidenced by the Gibson BB King Lucille For Sale’s popularity in a wide range of music, including blues, jazz, and rock. With a basic price of $267.50 it quickly became a best-seller, and has been in continuous production since 1958. The first major update came in 1963, with the most visible change being the markers on neck: early models had dots (hence “dot neck”), later models had blocks.

The Gibson BB King Lucille For Sale here. And the Gibson ES series of semi-acoustic guitar (hollow body electric guitar) are manufactured by the Gibson Guitar Corporation. The letters ES stand for Electric Spanish, to distinguish them from Hawaiian-style guitars which were played flat on the lap.

The es 335 bb king is unfailing. A nice and clean 2001 Gibson BB King Lucille. This guitar plays and sounds amazing. Six way Varitone switch with dual output! All original with original case.

The Gibson es 335 bb king is the world’s first commercial thinline archtop semi-acoustic electric guitar. Released by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958, it is neither hollow nor solid; instead, a solid maple wood block runs through the center of its body. The side “wings” are hollow, and the top has two Gibson BB King Lucille For Sale violin-style f-holes over the hollow chambers.gibson bb king guitar


Gibson Lucille Review

gibson lucille review

Riley Gibson Lucille Review  has been called the “King of the Blues” and
More than any other musician of the postwar era, King brought the blues from the margins to the mainstream. His influence on a generation of rock and blues guitarists – including Eric Clapton, Mike Bloomfield and Stevie Ray Vaughan – has been inestimable. “We don’t play rock and roll,” he said in 1957. “Our music is blues, straight from the Delta.” Yet without formally crossing into rock and roll, King forged an awareness of blues within the rock realm, particularly in the Sixties and Seventies.

Born on a cotton plantation in tiny Itta Bena, Mississippi, in 1925, King moved to Memphis, Tennessee in his early twenties with the intention of making his living playing the blues. He landed a regular spot as a deejay and performer on radio station WDIA, where he became known as the Beale Street Gibson Lucille Review Blues Boy (hence, “B.B.”). King also built a reputation as a hot guitarist at the Beale Street blues clubs, performing with a gibson bb king lucille ebony known as the Beale Streeters. This group included vocalist Bobby Blue Bland, a longtime peer and collaborator.

Gibson Lucille Review began recording in 1949 and signed with West Coast record man Jules Bihari a year later. He would record prolifically for the Bihari brothers’ labels – RPM, Kent and Crown – through 1962. King’s first hit, “Three O’Clock Blues,” topped the rhythm & blues chart for five weeks in 1952. Other classics cut by King in the Fifties include “Sweet Black Angel,” “Every Day I Have the Blues” and three more R&B chart-toppers: “You Know I Love You,” “Please Love Me” and “You Upset Me Baby.”

Dissatisfied with royalty rates and songwriting credits, King signed with ABC-Paramount in the early Sixties Gibson Lucille Review, when his contract with the Biharis expired. At that time, ABC was cultivating a stable of black artists that included Ray Charles, Lloyd Price and Fats Domino. They paired King with an arranger, and his studio records took on a more polished, sophisticated and eclectic tone. Pushing the blues in new gibson bb king lucille ebony directions, King was rewarded with such breakthrough hits as “The Thrill Is Gone,” which featured his soulful voice and guitar over a backdrop of strings. He also cut raw, energetic concert LPs – Live at the Regal (1965) and Live at Cook County Jail (1971) – that are classics of the genre.

Live at the Regal, recorded before a lively crowd at a black Chicago nightspot of longstanding, is the perfect match between performer and audience, with the latter’s enthusiasm fuelling the former’s fire. Other highlights of his lengthy tenure at ABC include a pair of mid-Seventies live albums with Bobby Blue Bland and Midnight Believer, a jazzy collaboration with the Crusaders. Blues purists treasure such back-to-the-roots efforts as Lucille Talks Back (1975) and Blues ‘n’ Jazz (1983). Favorites Gibson Lucille Review of rock fans include Indianola Mississippi Seeds (1970), which found King joined by Leon Russell, Joe Walsh and Carole King; B.B. King in London (1971), made with a host of British rock musicians; and Riding With the King (2000), a collaboration with Eric Clapton. King won Grammy Awards for Best Traditional Blues Recording for Live at the Apollo (1991) and Blues Summit (1993).

Gibson Lucille Bb King

gibson lucille bb king

“Ambassador of the Blues Gibson Lucille Bb King ,” and indeed he’s reigned across the decades as the genre’s most recognizable and influential artist. His half-century of success owes much to his hard work as a touring musician who consistently logged between 200 and 300 shows a year. Through it all he’s remained faithful to the blues while keeping abreast of contemporary trends and deftly incorporating other favored forms – jazz and pop, for instance – into his musical overview. Much like such colleagues and contemporaries as Buddy Guy and John Lee Hooker, B.B. King managed to change with the changing times while adhering to his blues roots.

As a guitarist, King is best-known for his single-note solos, played on a hollowbody Gibson Lucille Bb King guitar. King’s unique tone is velvety and regal, with a discernible sting. He’s known for his trilling vibrato, wicked string bends, and a judicious approach that makes every note count. Back in the early days, King nicknamed his guitar “Lucille,” as if it were a woman with whom he was having a dialogue. In fact, King regards his guitar as an extension of his voice (and vice versa). “The minute I stop singing orally,” King has noted, “I start to sing by playing Lucille.”

There have been many Gibson Lucille Bb King over the years, and Gibson has even marketed a namesake model with King’s approval. King selected the name in the mid-Fifties after rescuing his guitar from a nightclub fire started by two men arguing over a woman. Her name? Lucille.

King doesn’t play chords or slide; instead, he bends individual strings till the notes seem to cry. His style reflects his upbringing in the Mississippi Delta and coming of age in Memphis. Seminal early influences included such bluesmen as T-Bone Walker (whose “Stormy Monday,” King has said, is “what really started me to play the blues”), Lonnie Johnson, Sonny Boy Williamson and Bukka White. A cousin of King’s, White schooled the fledgling guitarist in the idiom when he moved to Memphis.

King also admired jazz Gibson Lucille Bb King guitarists Charlie Christian and Django Reinhart. Horns have played a big part in King’s music, and he’s successfully combined jazz and blues in a big-band context.
“I’ve always felt that there’s nothing wrong with listening to and trying to learn more,” King has said. “You just can’t stay in the same groove all the time.” This willingness to explore and grow explains King’s Gibson Lucille Bb King popularity across five decades in a wide variety of venues, from funky juke joints to posh Las Vegas lounges.

Gibson Lucille Price

Gibson makes authorized copies of Gibson Lucille Price, its most successful guitar designs. They are less expensive than those bearing the Gibson name. And differences in guitar styles, guitar materials and models items, as well as area all have certain effect on the gibson lucille price. Each gibson lucille price is reasonable on the base of above condition. A former competitor, Epiphone was purchased by Gibson and now makes competitively priced Gibson models, such as the Les Paul and SG, sold under the gibson 335 lucille Epiphone brand, while continuing to make Epiphone-specific Gibson Lucille Price models like the Sheraton and Casino. In Japan, Orville by Gibson once made Gibson designs sold in that country. Gibson has sought legal action against those that make and sell guitars Gibson believes are too similar to their own.

For kinds of Gibson Lucille Price fans, the guitar lucille gibson is acceptable and reasonable.

gibson bb king guitareegibson bb king guitareee
The Gibson ES-335 is the world’s first commercial thinline archtop semi-acoustic electric guitar. Released by the Gibson Guitar Corporation as part of its es b.b. king 335 (Electric Spanish) series in 1958, b.b. king 335 is neither hollow nor solid; instead, a solid maple wood block runs through the center of its body. The side “wings” of the gibson bb king guitar are hollow, and the top of the gibson bb king guitar has two violin-style f-holes over the hollow chambers.
The b.b. king 335’s models feature a coil split switch, which allows the humbuckers to produce a “single-coil” sound. The ES-335 Pro, ES-335TD CRS and CRR models were equipped with Gibson “Dirty Fingers” humbuckers, which had a significantly higher output than the standard pickups.

The company has produced a number of signature guitars as well, such as Trini Lopez-inspired model (1964-1970) with narrow diamond-shaped soundholes replacing the f-holes, a Firebird-style headstock with all the tuners on one side, and slashed-diamond inlays. In September 2007, Gibson Lucille Price introduced the DG-335, designed in collaboration with Dave Grohl, a variation on the Trini Lopez Gibson; the Grohl model has a stopbar tailpiece and Gibson’s new Burstbucker humbuckers. Other signature models include the heavily customized Alvin Lee “Big Red” 335. A reissue of the 1963 model was a 2014 “Editor’s pick” in Guitar Player magazine, at $4000.